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Tuesday, January 19, 2010

good night, good night, states, good morning, america

dear music lover,

you don’t hear from me often. and just like that uncle of yours who calls around the holidays to ask for money, when you do hear from me, my tidings are unsolicited, irrelevant to your own goings-on, and often include subject matter that you don’t want your children overhearing (see my past posts on our blog, but make sure you have your parents’ consent first). i guess the only real difference is that i’m not looking for a handout. well, that, and unlike your delinquent kinsman, i’ve never been convicted of a felony. key word: convicted.

i’ve decided, for reasons that are too multifaceted to expound upon here, to end my tenure with good night, states. okay, wipe the tears from your eyes and/or that shocked expression off your face. we’re still friends. at first, it’ll be a little awkward when we both show up to your party and one of us is there with somebody new, but after a while, you’ll just forget about that time we asked you to be the dj at our wedding reception.

i’m hopeful that for everyone involved this change will be an opportunity for continued musical endeavors that are even better. i certainly expect much more great music from good night, states, and i hope you’ll still be listening when their next release becomes available.

i’ll leave it to your imagination as to whether or not i’m leaving good night, states to join the folk-rock band that may or may not have been alluded to in the title of this letter. for my sake, i sure hope not.

to all of our fans and all of my friends and relatives, thank you so much for your open ears and moral support. i hope that you will continue to follow good night, states as they move forward without me. i’ve still got my band email account for now, so you can direct your well-wishes/death-threats here . if you’re a friend or a family member, just call me with your death-threat, preferably after 9:00 pm or via the at&t network.

farewell,

joe

p.s. i did actually receive a death-threat once on a good night, states postcard, but if you were hoping to be the first, be consoled: i take the time to read all my fan mail, and if you really are plotting my assassination, you may even get a reply.

Monday, September 21, 2009

end of act one, retrospectively

to be fair, we’ve eaten fairly well today. my wife packed joe and i excellent homemade breakfast sandwiches and a thermos of strong coffee this morning. that carried us through the 1 o’clock show pretty easily this morning, but we were ready to eat by the time the five of us (with tim tobitsch, band friend and megan business partner, as a stand-in for trevor, who had to return to work: they have similar hair) drove off to get some lunch at tessaro’s in lawrenceville.

other highlights include fantastic guitar tone from both myself (new speakers, KT77s) and joe (new speaker, mojo), seeing part of meeting of important people’s set, and some good laughs at tim’s idea for a “tutoring & repo” business (your scores improve or you lose your house!).

on the whole, though, this is the part of the plot where The Real Meaning of the story’s events are really called into question. the moral is unclear. after all, joe and i can have excellent guitar tone, eat well, and fine each other $129 at home and without 13+ hours of driving.

dear reader, even for those of us who believe in more than coping, some days feel like a page of hemingway.

Monday, September 21, 2009

(the audience’s attention is directed towards the balcony)

whence, dear reader, the hero will shortly enter the scene with flourish, very possibly from a conveniently placed rope.

or something like that. in our case, the real version would now include a very polite state trooper. although we are still on track to wow the passersby at WPTS Day, the speed of our progress and the height of our spirits are both somewhat reduced. this has now become quite an expensive trip.

ah, troopers. how faithfully you discharge a duty of such immorality. if only you could be persuaded of that which we, the frequent travellers of pennsylvania interstates, know in our deepest parts: your law is no law at all. it is bare graft, collected with undisguised coercion, only designated a “tax” by the ultimate destination of the lucre squeezed from the common man.

if only i wrote protest songs.

Monday, September 21, 2009

scene one: curtain opens on very dark morning

dear reader,

that’s right; it’s me. i’ve missed you all. i decided some weeks ago to return to blogging here with a vengeance, but now it’s happening and i couldn’t be happier.

actually, i could be somewhat happier. the occasion of my first post in over two months is not, truly, something about which i’m particularly excited. owing to some not entirely unforeseen but certainly uncontrollable externals, joe and i will be departing shortly from nj to play a c. lunchtime show in pgh, and returning shortly thereafter to nj. (go ahead, check the time. i’ll be back here by 9 tonight.)

so… though i am sadly without brilliance or insight at this hour, you can look forward to blogs and tweets throughout the day that will no doubt keep you informed of our progress in an entertaining way.

ps. did you like “in the impossible tension?”

Friday, June 12, 2009

Some things just look better on paper

Two weeks ago, Megan & I moved into a new house. You could call it an upgrade (I think our old place could fit into the kitchen of the new one). This weekend is the first time that Good Night, States will be rehearsing at “The Mansion.” Good Night, States is old enough now that it gets to have its own room, like the other big kids.

To celebrate the first rehearsal, Steve brought some new stage setups to test out for our live show (we named them alpha thru epsilon). They ranged from semi-traditional to really odd. After an hour and a half of trying each of the five setups, we decided that only two of the five would actually work for real. Here’s a picture of the five stage layout prototypes that are now hanging on the practice room wall.
alpha to epsilon